Will Self's new novel, ELAINE: review

 I've reviewed Will Self's new novel, Elaine, for Spectator World. Read it here.

The Count of Monte Cristo: Rereading for The Times

 Sometimes a commission comes along for which I'll drop everything: and quite literally, I did for this one, a re-reading of The Count of Monte Cristo by Alexandre Dumas, for The Times. I read it in four days flat - an entirely blissful experience which reminded me a bit of being at university and having the leisure to do nothing but read. Here's the piece. There's a small error in it: I've written that Edmond was illiterate; he wasn't, of course; I meant "uncultured" as a contrast to his cultured second self.

Sam Leith's THE HAUNTED WOOD: review

 I began work at Literary Review as an intern, some twenty years ago; I left in 2008, and continued on as a Contributing Editor. I love the magazine, and thus am entirely delighted that my review of Sam Leith's splendid book on Children's Literature, THE HAUNTED WOOD, is on this month's cover. You can read the review here.

DOGS AND MONSTERS by Mark Haddon

 

My review of Mark Haddon's latest collection of short stories, Dogs and Monsters, is in this week's Spectator. Read it here.

CREATION LAKE by Rachel Kushner: review

 I've reviewed Rachel Kushner's latest novel, CREATION LAKE, for Spectator World.
Read it here.

In Defence of Personal Statements

 I've written a little blog for The Spectator about UCAS getting rid of personal statements.

James Shapiro's THE PLAYBOOK: review

 

My review of James Shapiro's THE PLAYBOOK, an account of the Federal Theatre Project in America, is in the August issue of Spectator World. Read it here.