Sunday, 26 February 2012

My favourite Dickens character: Bazzard

I've done my favourite Dickens character for The Telegraph - Bazzard, from Edwin Drood. He's not so much my all time favourite as my current favourite, mostly because he keeps a tragedy in his bottom drawer.

Friday, 24 February 2012

Relating Cultures at the LSE with Meg Rosoff, William Fiennes and Caroline Bird

A splendiferous event last night at the LSE, in the elegant Lincoln's Inn Fields (where once I toiled, briefly, at the start of a legal career that never materialised.) We were celebrating the winners of an LSE / First Story competition, which resulted in a brilliant anthology called Relating Cultures, to which I have written an introduction. They are all good pieces and contain some fascinating voices. The future of writing looks well.

I spoke about the historical and literary context of fantasy; Meg Rosoff gave a list of incredible facts - did you know, for instance, that if the sun were made of bananas it would be as hot? My favourite is that Charlie Chaplin once came third in a Charlie Chaplin lookalike competition. Poet Caroline Bird recited one of her works, about a fairy who longs to be loved; and Will Fiennes spoke passionately about the need to ground one's fantasy into reality. There were some brilliant questions from the crowd, too.

In the Orchard, the Swallows by Peter Hobbs: review

What what, chaps. I've reviewed Peter Hobbs's elegant In the Orchard, the Swallows for The Daily Telegraph. Catch it here. I saw Peter speak several thousand years ago,  when I began my literary career at the Folkestone Literary Festival, about his first novel, The Short Day Dying, which I admired greatly; I also reviewed his short story collection, I Could Ride All Day on My Cool Blue Train for The Tablet. This is a powerful and beautiful novella.

Thursday, 16 February 2012

The Roundabout Man by Clare Morrall: review

Morrall: sweet
Hallloooo there. I've reviewed Clare Morrall's lovely The Roundabout Man for The Daily Telegraph - check it out, funsters.



 

Friday, 10 February 2012

Alice Oswald at the Southbank Centre

Oswald: vatic
Hello hello, I've written a short piece about the poet Alice Oswald at the Southbank Centre for The Daily Telegraph, available here. She read her latest book, Memorial, in its entirety. Some of you may remember that I reviewed Memorial for the same paper when it came out, and was blown away by its luminous magnificence.

Tuesday, 7 February 2012

A Paean to My Oyster card: First Story Workshop at Pimlico Academy

Oyster Card: give it its due
Through the freezing streets to the fabulous Pimlico Academy for an excellent First Story creative writing workshop. We wrote about abstract ideas linked with concrete places - eg, "The Palace of History", or my particular favourite, "The Sewer of Style." One of the best things that came out of it was writing letters to objects that you use day to day. So we had some brilliant letters to a ruler, a ball of blu-tac, a newspaper trolley, an apple, and a poster. Mine was to my Oyster card, and I liked it so much that I'm going to reprint (as it were) it here:

Oyster Card
Wallet
Upper Right Hand Pocket
Overcoat


7/02/2012

Dear Oyster Card,

Even your name is beautiful to say. Oys-ter. Redolent of the mysteries of the sea, of the beauties of gourmet dining. And with you, all those things are available - to me. I give you my gratitude for all those juddering journeys into town; all those breathless, anticipatory runs up staircases to moments of joy and hope. You are not an inexpensive friend and helper, though; but I don't begrudge you the monthly toll on my bank balance. With you, the world is my - I won't say it.

I won't mention the pearls of London life that are to be found with your elegant guidance. I won't mention the little skip of my heart that I get whenever I press you against the card reader (which, I may confide in you, is mostly because I'm worried that my balance will have run out.) But, dear oyster card - Oystie? - I jest - you are a key, a magic spell, a wonder, a Hermes, a leader into the underworld; but unlike Hermes, you also take us out - which is useful.With you, oh Oyster, the world is - I won't say it.

Thank you for your slimness, for the ease with which you fit into my wallet; for your ability, somehow, never to get lost. For all this and more, I thank you, and with you, the world is my .... lobster.

Yours sincerely,

Philip Womack

Now I hope you all go and write beautiful notes to your hoovers.


Charles Dickens' anniversary: His enduring appeal

The man himself
Pip pip! I've written a little piece about Charles Dickens and his novels for The Daily Telegraph, explaining my take on why he's lasted so long in popularity. Read it here.