Showing posts with label meg rosoff. Show all posts
Showing posts with label meg rosoff. Show all posts

Wednesday, 2 December 2020

Literary Review Christmas Children's Books Round Up


I've been reviewing children's books for Literary Review for about 15 years now... and it never fails to please me how many powerful and wonderful books there are. I wish I had space to cover more. This year, I've reviewed:

 

The Monsters of Rookhaven by Padraig Kenny

The Midnight Guardians by Ross Montgomery

Voyage of the Sparrowhawk by Natasha Farrant

I, Ada by Julia Gray

The Midnight Swan by Catherine Fisher

The Haunting of Aveline Jones by Phil Hickes

The Great Godden by Meg Rosoff 

You can read the review here, but do get the December/January issue - a bumper double one. 

One other small item of news: I received the CD audioboook of How to Teach Classics to Your Dog. I always enjoy the physical versions, rather than the digital ones - somehow it makes a more satisfying experience to load the CDs into the machine. My lurcher, obviously, is already listening...




Wednesday, 4 July 2018

Children's Book Round up for Literary Review

Here is my latest children's book round up for Literary Review. The featured books are:

The Colour of the Sun by David Almond
The Family Tree by Mal Peet
Little Liar by Julia Gray
The Surface Breaks by Louise O'Neill
The Sword of Ice and Fire by John Matthews
McTavish Goes Wild by Meg Rosoff
The Boy Who Grew Dragons by Andy Shepherd
The Story of Tantrum O'Furrily by Cressida Cowell
Square by Mac Barnett and Jon Klassen

Wednesday, 4 January 2017

Books of the Year 2016

It's been a bookish year for me, quite literally, as February saw the publication by Alma of The Double Axe, my re-imagining of the Minotaur myth; and May brought the final volume of my Darkening Path trilogy, The King's Revenge, published by Troika. These were my fifth and sixth novels for children, respectively, and I have been working on the next ones too. There has still, somehow, been time for reading, though I have been not doing as much reviewing.
Fiction

Paul Murray's The Mark and the Void is full of wickedly clever sideswipes at the banking crisis; set in Ireland, it's both exciting and stimulating. I also enjoyed Meg Rosoff's Jonathan Unleashed, which sees a young man seeking love in New York - only his life is quietly influenced by his dogs.  Susan Hill's The Travelling Bag was full of terrifying revenants: the final story being very finely conceived and executed, reminiscent of the weirdness of Robert Aickmann. 

Non Fiction

I haven't read much this year, on account of still being embroiled in Robert Tombs's epic history of the English, and Norman Davies' enchanting accounts of lost kingdoms; not to mention my never-ending engagement with Pepys; but I have been very much enjoying Frances Wilson's lush biography of Thomas de Quincey, Guilty Thing; and Edmund Gordon's life of Angela Carter is visceral and lively. Published recently in paperback was Peter Stothard's Alexandria: The Last Days of Cleopatra, a magnificent memoir cum biography cum travelogue about how things work, how history is made, and how reflections occur through time.

Poetry

The publication of Seamus Heaney's Aeneid Book VI brought this flawed but beautiful version to light. Somehow both solid and shadowy at the same time, it inspires new life into the Augustan visions of Virgil, and resonates with our inevitable fate. Alice Oswald's Falling Awake plays with form in its attempts to represent time itself: the verse brims with taut, beautiful imagery.

Classics

I had a George Eliot year, beginning with Middlemarch, which must rank amongst one of the best novels ever written. Psychologically acute, expansive,  witty and intelligently observed, moving like a symphony with grand moments, intimate ones, gentle ones and tragic. I followed it with The Mill on the Floss, which physically moved me to tears as the great flood sweeps away the mill and its inhabitants. This was somewhat lightened, fortunately, by Silas Marner, the story of an old man given new life by a child. I'm now girding my loins for Romola, which has been eyeing me from the shelf for ages.

I have also been rediscovering Aldous Huxley, reading The Genius and the Goddess, a wondrous novella about memory and narrative; and Time Must Have a Stop, about a young man's coming of age in Italy. Both reissued by Vintage in smart new covers.

And I finally read Ford Madox Ford's The Good Soldier, with its latent power and mystery: a fragmented, urgent masterpiece about love and honour. A disappointment, however, was Wyndham Lewis's The Revenge For Love: a novel about appearances and reality, a savage satire against all its characters, and with a Peake-esque artist's eye for the visual; but the overall sense is one of almost impenetrable
density.

Children's and Young Adult Fiction

It's been an all round excellent year for children's fiction. Ruta Sepetys's Salt to the Sea is a masterpiece of its kind, brutal and tender and poignant, telling the story of a band of refugees racing to reach a ship. Based on a real-life humanitarian disaster in the Second World War, it's harrowing and gripping. 

The Nest by Kenneth Oppel sees a boy given a terrible choice: accept his new brother with congenital defects, or receive an entirely new one, free of faults. It's a knotty, nerve-racking read; similarly, Peadar O'Guillin's debut The Call is a dark fantasy that promises very well for his next work.

For younger readers, I have already mentioned the sweetly brilliant debut of Sylvia Bishop, Erica's Elephant, in which a young girl must rescue a pachyderm from officialdom. Another debut, Lucy Strange's The Secret of Nightingale Wood, stood above the crowd with its assured prose and tender narrative. Piers Torday's There May Be a Castle both thrills and plays with conventional assumptions about children's books. I also admired A F Harrold's haunting A Song From Somewhere Else, in which the other spills into the everday; and I can't not mention the latest installment in the brilliant Lockwood series by Jonathan Stroud: The Creeping Shadow is a huge, highly enjoyable delight.

Friday, 24 February 2012

Relating Cultures at the LSE with Meg Rosoff, William Fiennes and Caroline Bird

A splendiferous event last night at the LSE, in the elegant Lincoln's Inn Fields (where once I toiled, briefly, at the start of a legal career that never materialised.) We were celebrating the winners of an LSE / First Story competition, which resulted in a brilliant anthology called Relating Cultures, to which I have written an introduction. They are all good pieces and contain some fascinating voices. The future of writing looks well.

I spoke about the historical and literary context of fantasy; Meg Rosoff gave a list of incredible facts - did you know, for instance, that if the sun were made of bananas it would be as hot? My favourite is that Charlie Chaplin once came third in a Charlie Chaplin lookalike competition. Poet Caroline Bird recited one of her works, about a fairy who longs to be loved; and Will Fiennes spoke passionately about the need to ground one's fantasy into reality. There were some brilliant questions from the crowd, too.

Wednesday, 28 December 2011

Books of the Year, Day Two: Children's Books (and one Sci Fi novel)




Tally ho, yoicks, etc, and welcome to the brilliantly exciting Day Two of my Books of the Year. It's been rather a good year for children's and young adult books; I also thought a special mention (though I am not, as they say, "well-up" on the genre) should go to one science fiction novel (although I'm sure that the author would mutter about such a classification, but there you go.) Finch by Jeff Vandermeer, a hard-boiled noir full of betrayals and double crossings, is set on a planet taken over by mushrooms (yes, mushrooms), known as the Grey Caps. It's rich and strange, and whilst I must confess I wasn't always entirely sure who was double crossing whom, it offers an enthralling window into an alternative universe.




Right, now down to children's books.

1. Life: An Exploded Diagram by Mal Peet

This is an exceptional young adult novel, warm and poignant and entirely absorbing. As well as being a finely written, emotionally mature piece of work, it's also an intelligent enquiry into cause and consequence, a study of class and its hidebound nature after the war (Clem is a labourer's son whose father goes up in the world to work for the local squire; Clem falls in love, naturally, with the squire's daughter.) The Cuban Missile crisis looms large in Clem's imagination, and it also works as a metaphor, layered through the entire text. A sterling book from a well-established author, this should almost certainly win prizes.

2. A Monster Calls by Patrick Ness

A children's book that might have been crafted straight out of a nightmare and made solid: bursting with terrifying images and rooted in the deepest folktalkes, this warped fable also follows an involving emotional arc, and sits as a nice counterpoint to Ness's trilogy, Chaos Walking.

An Eck. About to eat something.
3. There is no Dog by Meg Rosoff

What if God was a sex-obsessed teenager called Bob? Well that would explain why the world is in such a mess, wouldn't it? It certainly makes sense; and Rosoff's quirky, intelligent and very funny tale explores the idea with verve and imagination. Oh, and it also contains the world's sweetest creature - the Eck. You'll want one, I promise. It eats everything in sight - and it's the last one in the universe.
4. David by Mary Hoffman

A marble-veined, beautifully crafted novel which sees a gorgeous young man enter into Florence to seek his fortune. His looks earn him the attention of both men and women; he also becomes embroiled in dangerous game of espionage - whilst, of course, being the model for Michaelangelo's David. Absorbing, thrilling, and full of historical sumptuousness.
5. Naked by Kevin Brooks

A very powerful, thoroughly-imagined fiction, concerning the privileged life of the daughter of an actress; she forms a band with the best looking guy in school, but he turns out to have his own problems; meanwhile she falls for the new Irish bass player, Billy the Kid - but he's tangled up in some dangerous political machinations of his own. Superlative. 
6. The Devil Walks by Anne Fine

Suspenseful, scary and absorbing, Fine's novel pushes through pastiche of the late Victorian / early Edwardian ghost story and emerges on the other side (much like Chris Priestley's Uncle Montague series.) An imprisoned, vulnerable boy; a hidden house; a Satanic doll; all these elements combine to make an unmissable tale.

7. One Dog and His Boy by Eva Ibbotson

A true delight, this was Ibbotson's last book before she died this year. It follows a young boy's quest for friendship, which he finds, in bagfulls. It's sweet and funny and charming, and the Pekinese alone is worth it - descended from dogs who guarded the Imperial Palace, he secretly nurses his fiery soul, waiting for someone to notice it.
8. The Case of the Deadly Desperadoes by Caroline Lawrence

An almost perfect children's book, this lovely tale sees a boy with Asperger's syndrome in nineteenth century America, on the run after his family is slaughtered; he becomes a detective and foils some nasty villains. It's witty and moving.
9. Sky Hawk by Gill Lewis

This debut novel augurs well for the future - Lewis writes with a keen, poetical eye, and her story is alive to the wonders of nature, and manages to be sentimental without being crass. One to watch.

10. The Power of Three by Diana Wynne Jones, Flight 714 by Hergé, and The Ropemaker by Peter Dickinson

Three older books I've read (or reread) this year that deserve a mention. Diana Wynne Jones also died this year - her children's books are inimitable. I came to them late - very late, actually, as I was still at university when I read The Dark Lord of Derkholm, and Chrestomanci, a book about a boy wizard written years before Harry Potter. I read The Power of Three this year, which concerns three different tribes who hate and fear each other - one of them, us humans, are known as giants; but when two little "fairy" children have to work with the giants to save their community, they learn that perhaps differences aren't necessarily to be scared of. It's a charming, weird book.

The same kind of weirdness, but magnified, can be found in Peter Dickinson's The Ropemaker; I'd never heard of him, but a chance remark by Marion Lloyd as we discussed writing children's books put me on to it: it should be read immediately by anyone interested in children's books. It inhabits its own world so thoroughly that it's almost impossible to put down; and it has the best grumpy horse in it I've ever come across. And, last but not least, after a wedding conversation I went back to Hergé, and found in Flight 714 all the thrills and humour that kept me enthralled as a child.




Sunday, 11 December 2011

Daily Telegraph Children's Books Special: Interview with Jacqueline Wilson, and review round ups

The Daily Telegraph Children's Books Special was published on Saturday; it's now available online. I've done a bunch of things for them: an interview with Jacqueline Wilson, in which she talks about Hetty Feather; and round ups of the best historical, humorous and real life books of the year, including Meg Rosoff, Mal Peet, Kevin Brooks (a new treat for me), David Walliams, Eva Ibbotson and many others.

Tuesday, 6 December 2011

Reading with Meg Rosoff, at Manns of Cranleigh, Surrey

Meg Rosoff: All Round Good Egg
Hello troopers - I hope that you are all well and happy in this pre-Christmas season. I will be reading and chatting with the fantabulous Meg Rosoff, Carnegie Medal winner, author of several brilliant young adult novels, including her latest, There is No Dog (a slickly witty fantasy in which it is revealed that God is in fact a teenage boy - and a rather lusty one at that), and All Round Good Egg. It promises to be an interesting and fun afternoon, and will start at 3pm this Saturday, at Manns of Cranleigh, which is on the High Street, Cranleigh, Surrey. Check out their website, mannsofcranleigh.co.uk.

Tuesday, 13 September 2011

Meg Rosoff Interview in The Daily Telegraph

I've interviewed the excellent author Meg Rosoff for The Daily Telegraph. The piece is up on the interweb HERE.


Tuesday, 1 March 2011

North Lanarkshire Catalyst Book Award Longlist


I've just found out the longlist for the North Lanarkshire Catalyst Award - and I'm thrilled to be on the same list as such brilliant children's writers. This is the full list:

* Day of the Assassins by Johnny O’Brien
* Dead boy Talking by Linda Strachan
* Drawing with Light by Julia Green
* Fallen Grace by Mary Hooper
* Firebrand by Gillian Philip
* Grass by Cathy MacPhail
* Halo by Zizou Corder
* Inside My Head by Jim Carrington
* Out of Shadows by Jason Wallace
* Poison Diaries by Maryrose Wood
* Return to the Lost World by Steve Barlow and Steve Skidmore
* Revolver by Marcus Sedgwick
* The Bride’s Farewell by Meg Rosoff
* The Liberators by Philip Womack
* The Returners by Gemma Malley
* The Thin Executioner by Darren Shan
* The Witching Hour by Elizabeth Laird
* Time Riders by Alex Scarrow
* Unhooking the Moon by Gregory Hughes
* When I was Joe by Keren David
* Where I Belong by Gillian Cross
* Witchfinder: Dawn of the Demontide by William Hussey

The excellent Meg Rosoff; the marvellous Marcus Sedgwick; the brilliant Mary Hooper; Gillian Cross - who wrote one of my (and I'm sure everybody's) favourite books as a child, The Demon Headmaster... the list is a fantastic one, and I am so excited even to be mentioned amongst such company that I think I'm going to crack on with my next book so that I've got a chance of getting on it next year as well...