Showing posts with label gardner botsford. Show all posts
Showing posts with label gardner botsford. Show all posts

Friday, 30 December 2011

Books of the Year, Day Four: Non-Fiction

Mornin' all, and wasn't Great Expectations good last night? Well done BBC. Now, on to non-fiction - I haven't been reading much of it this year (which is probably a Good Thing), as I've been slowly wading my way through Pepys, and mostly reviewing fiction, but here's the best of what I did manage, from Henrician poets through lobsters, porn (sort of) and beasts.



Henry VIII and Anne Boleyn (still alive)

1. Graven with Diamonds: The Many Lives of Thomas Wyatt by Nicola Shulman

A beautifully written, silver-veined biography of poet Sir Thomas Wyatt, this book shows life at the court of Henry VIII with a sharp eye for detail and a nose for wit.  Wyatt's poems come alive in Shulman's hands, her analysis is both involving and throws revealing light onto her mysterious subject and his codes. Breathe in the wrong place at the Henrician court, and on your head it really would be.  Plus it's worth it for the idea that some poems were read out with the use of a squeaky bladder.

2. A Life of Privilege, Mostly by Gardner Botsford

A dominatrix. Possibly.
This is an older book - it came out in 2006, just about the beginning of my literary career; it may be a little recherché for some, as it concerns the life of a New Yorker editor, but it is a book brimming with liveliness, poignancy, and insights into the world of letters - there is a priceless scene where the young Botsford returns home with a middle-aged couple, only for a tiger-skin clad dominatrix to burst out into the room with a whip. He fled in terror.

3. Consider the Lobster by David Foster Wallace

I finally got round to reading this collection of essays by the lamented David Foster Wallace (his unfinished novel, The Pale King, is something I've yet to tackle: sometimes I look at the pile of Books to Read in my flat and have a minor panic attack). Like many, I was hypnotised by Infinite Jest as a student (somewhat, even, to the detriment of my degree). It's impossible to read this book all the way through as it's a bit like being locked in a room with someone very pedantic telling you exactly what goes into making bricks - no wait, come back, I've just got to the interesting bit, DID YOU KNOW THAT.... but take each one as it comes and you'll find his ingenuity and style everywhere - whether he's at a porn festival or a lobster market. The best essay, to my mind, is the one about the English language, which should be read by anyone interested in how to make sentences.

4. Under a Canvas Sky by Clare Peake 

Mervyn Peake: Legend
This is a lovely, warm memoir about growing up as the daughter of writer Mervyn Peake and artist Maeve Gilmore. I had the pleasure of interviewing the Peake children this year (you can read it here), as it was also the year that Titus Awakes, a continuation of the Titus series by Gilmore, came out. Whilst Titus Awakes is interesting as a document about Maeve's own life, Clare's memoir shows a life enhanced by fantasy and overshadowed by the sad illness of Mervyn, which led to his death far too young. The Titus books stand as some of the most interesting post-war fictions to have emerged - they are sui generis - and this glimpse into the world of the writer, from 'under a canvas sky', as it were, is poignant and pleasing.

5. Vast Alchemies by G Peter Winnington

Read as research into the interview, this is a brilliant biography of Mervyn Peake, published by the redoubtable Peter Owen, fluidly written and with a fascinating slant on the creator of Titus. 
 
6. A Venetian Bestiary by Jan Morris

This is a lilting, kindly monograph on the role of beasts in Venetian art, with some passages of lyricism (as when she describes the Golden Stallions.) Morris is now on Tumblr, and posts deliciously observed vignettes often. 

Pip pip, then, till tomorrow, for fiction of the year...

Sunday, 13 March 2011

A Life of Privilege, Mostly by Gardner Botsford: Review, And The Problem of Book Lag


In my house, there are mountains of books. Everything is organised, of course. There are my bookcases, upstairs, which contain my favourites (alphabetised, naturally); in the foothills are, unorganised, books which, owing to space, have either been expelled from the bookcase or are awaiting a new life upon those shelves. Downstairs, there are my classics books (organised as best as they can be); my first editions; then there are the piles. The pile of review copies I have read (kept in case I am questioned or I need to refer to them); the pile of books to be reviewed (ever changing); the pile of books to be looked at (sent by publishers and sundry well-wishers); and then the worst (and best) pile of them all. This is the pile of books that I have put aside, for one reason or another, to read in my own time, for my own pleasure. At a current estimate given by a Sherpa who knows the territory well (but was never seen again once he tentatively entered into it) it stands at over 100 books. This number changes, of course; some people claim it to be nearer 200. One thing is certain: nothing is ever thrown away or reconsidered. At present it consists of tomes ranging from The Shorter Pepys, Thomas Pynchon's Against the Day and David Mitchell's The Thousand Autumns of Jacob de Zoet, to biographies - endless biographies - of Saki, Donne, Malory, Naipaul - and books by friends (apologies to any of you who are reading this: I won't name you.) There is a political treatise by Loyseau; there is a children's book from the 1920s; there is Clausewitz, Bronte, Castiglione, Eliot, Angela Carter, Nemirovsky, Edith Wharton, all gazing at me, alternately imploring and castigating.

Sometimes I look at the pile as I walk past it every morning and think, I'll never get through all that. Sometimes I think I will go mad. Other times I fantasise about never reading anything ever again; other times I think that is a ridiculous notion. But sometimes, just sometimes, I will pick a book out of it, in between reviewing and writing, and always, nearly always, it will turn out to be a gem. The Book Lag is worth it for such moments.

The Book Lag is the time between the moment I notice a book and the time I read it. In some cases it's a day (as with Leo Benedictus' novel, or Julia Leigh's first novel, The Hunter.) In the Case of Gardner Botsford (pictured) it was five years. Five years of sitting on my pile, chucked about from London borough to London borough, keeping company with such low lives as Kerouac and William Trevor, until yesterday morning I actually started it.

It is a joy. A Life of Privilege, Mostly is an almost perfect memoir, up there with Diana Athill's Stet. Botsford was an editor at The New Yorker for decades; this memoir is in three parts. The first is an extremely well-written account of his life in the army, which manages to be both witty and terrifying. He is unsparing in his account of himself, cheerfully admitting that he'd rather have been in a cosy office job than on the front line (where he was sent by a clerical error). His time in London is chronicled hilariously: at one party he was invited back by a mild-mannered couple to their flat. Here he found a group of people not unlike those one would find at a university press party. All went as normal, until the host opened a door, and out came a woman dressed in nothing but a tiny piece of leopard skin, who then proceeded to advance upon the guests cracking a whip. The other guests all leapt over each other to take off their clothes; Gardner fled, along with a kilted Scottish officer.

The second third tells of his (extremely) privileged life as an upper-class American: they had five cars, more servants, several houses; although he is keen to point out that he got his job at the New Yorker in spite of the fact that he was related to the publisher. I don't doubt it: his style, charm and intelligence leap out of the page.

The book is invaluable for anybody considering a career in the torrid world of magazine journalism - although in my experience (so far) it hasn't involved women wearing leopardskin. Mr Botsford's work will now make its way upstairs, where it will lie reverently across Boccaccio until I get some bigger shelves... At least he can swap some stories with the old Italian. And Diana Athill's just nearby, too...